Genre and Affect: Inhuman Forces

Hurley, Kelly
April 2010
English Language Notes;Spring/Summer2010, Vol. 48 Issue 1, p1
Academic Journal
This article serves as an introduction to this issue of the journal and discusses some of the articles contained in it including articles by Rob Breton, Jill Phillips Ingram and Anna Toropova.


Related Articles

  • MELODRAMA. Higson, Andrew; Vincendeau, Ginette // Screen;Nov/Dec86, Vol. 27 Issue 6, p2 

    The article discusses various reports published within the issue, including one by Susan Boyd-bowman on Powell and Pressburger melodramas and another by Steve Neale on the spectatorial pleasure of the melodrama.

  • From One Lane. Buzo, Alex // Quadrant Magazine;Jan/Feb99, Vol. 43 Issue 1/2, p33 

    Presents information on theater and stage plays in Australia. Trend in dramas; Comparison between the types of drama in the 1960s and the 1990s; Why most Australians prefer to watch melodrama.

  • Index.  // Age of Melodrama: Family, Gender, & Social Hierarchy in the Turn;2008, p303 

    A subject index of the book "An Age of Melodrama: Family, Gender & Social Hierarchy in the Turn-of-the-Century Japanese Novel," by Ken K. Ito is presented.

  • NEW YORK, NEW YORK. Block, Valerie // Crain's New York Business;2/20/2012, Vol. 28 Issue 8, p0006 

    The article offers details on the happenings in NewYork city including a musical melodrama program "Smash", programs in DiMenna Centre for Classical Music and on launch of a Russian restaurant in Manhattan.

  • Intercom melodramas deliver a reading message in an entertaining way! Brazeau, Martin H. // School Library Media Activities Monthly;Nov95, Vol. 12 Issue 3, p37 

    Provides a rationale for using intercom melodramas in a reading class. Motivating students; Effect of melodramas on students' self-esteem; Elements of a successful intercom melodrama; Sample play dubbed as `A Reading Carol.'

  • Body and Voice in Melodrama and Opera. BROOKS, PETER // Princeton Studies in Opera;2000, p118 

    A personal narrative is presented which explores the author's experience of working the melodrama aesthetics of the opera.

  • Freedom Road. Wren, Celia // American Theatre;Apr99, Vol. 16 Issue 4, p8 

    Presents information on the 1958 melodrama `The Escape,' written by William Wells Brown, to be performed by the Georgetown Theatre Company through May 7, 1999. Theme of the play; Comments from Georgetown Artistic Director Catherine Aselford and Director Joe Mills.

  • Melodrama Classics (Book). Hochberg, Alan C. // Library Journal;4/15/1982, Vol. 107 Issue 8, p823 

    Reviews the book 'Melodrama Classics: Six Plays and How to Stage Them,' by Dorothy Mackin.

  • INTRODUCTION. Vincendeau, Ginette // Screen;Summer89, Vol. 30 Issue 3, p2 

    The article discusses various reports published within the issue, including one by Richard Abel on domestic melodrama in early French cinema and another by Ravi Vasudevan on popular Hindi cinema.


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics