TITLE

Confidence and Freedom

AUTHOR(S)
Pelehach, Patricia
PUB. DATE
June 2005
SOURCE
Ceramics: Art & Perception;2005, Issue 60, p85
SOURCE TYPE
Periodical
DOC. TYPE
Article
ABSTRACT
Features sculptor Yasuhiro Kohara and his ceramic sculptures. Personal and career background; Forms of ceramic sculptures; Factor that shaped his aesthetic sense and technique; Elements influencing his works.
ACCESSION #
17641099

 

Related Articles

  • Influences from Japan. Wilson, Ian // Ceramics: Art & Perception;2005, Issue 60, p98 

    Features sculptor Jill Fanshawe Kato and her links with Japan and Japanese ceramics. Educational and career background; Description of her ceramic sculptures; Techniques she used for creating her sculptures.

  • Left Standing. Mamiya, Christin J. // Ceramics: Art & Perception;2005, Issue 60, p54 

    Features artist Charles Timm-Ballard and his landscape form of ceramic sculptures. Career background; Techniques that he used in dealing with landscape; Factor that influenced his perception of the world and subsequently on his work.

  • Serious Play. Gover, Karen // Ceramics: Art & Perception;2011, Issue 83, p76 

    The article features Barry T. Bartlett, a ceramic sculptor, and discusses his work. It states that Bartlett studied at the Kansas City Art Institute and at the New York State College of Ceramics at Alfred University. It reports that he was influenced by the works of other artists such as Peter...

  • Balance between Head & Heart. Gaikhorst, Matty // Ceramics: Art & Perception;2006, Issue 63, p13 

    Focuses on the suggestion of endless movement that forms the central starting point in artist Gertjan van der Stelt's colourful sculptural objects. Artistic influences of van der Stelt; Process of attaining the colour of his work; Elements of van der Stelt's works.

  • Redefining Limits. DE JONGH, KARLYN; GOLD, SARAH; ROMAGNINI, VALERIA // Sculpture;Nov2011, Vol. 30 Issue 9, p50 

    An interview is presented with the New Zealand artist Judy Millar, discussing her artistic career and aesthetic approach to architecture, painting and sculpture. Questions include discussion of the influence of her New Zealand heritage on her output, her use of colors in thematic ways, and the...

  • Pools of Thought. Jevons, Howard // Ceramics Technical;Nov2004, Issue 19, p48 

    Comments on the influence of the physical geography in Wales on the works of an artist. Motivation for making ceramic sculptures; Details of of artistic contributions of the Celts; Places that were regarded as entrances to another world.

  • Henk Wolvers' Powerful Delicacy of Porcelain. Suidman-Leeuwendal, Ieneke // Ceramics: Art & Perception;2005, Issue 60, p50 

    Features sculptor Henk Wolvers and his works with porcelain. Educational and career background; Techniques he used in making porcelain sculptures; Description of the ceramic works of Wolvers.

  • James Lovera's Holistic World. Dauer, Paul F. // Ceramics: Art & Perception;2005, Issue 60, p75 

    Features sculptor James Lovera and the holistic quality of his ceramic sculptures. Educational and career background; Description of his ceramic sculptures; Techniques he used for creating his ceramic sculptures; Art museums that supported his career.

  • A female form. Shaboy, Benny // Ceramics Monthly;Sep99, Vol. 47 Issue 7, p46 

    Describes the sculpture techniques of Margaret Keelan. Profile of the Canadian-born sculptor; Keelan's remarks concerning her ceramic sculpture; Production of `Woman With Turban 1'; Technique to make terra sigillata.

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics